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sixty brands for one product?

One product, launched under sixty different brands a year to see which one the market picks. Why launching many rough brands beats perfecting a single pitch.

27 May 2026 · Gianluca Simonelli · Rotterdam

Here's something it took me years to believe: you can find out whether an idea will sell before you have finished building it. One of my favourite clients proved it at scale. They launched around sixty brands a year, all different names, logos, photoshoots and shops, and behind every single one of them sat the exact same product. They weren't building sixty companies. They were running sixty experiments, and letting the market decide which one to keep.

Most founders do the opposite. They spend months perfecting one brand, pour everything into a single bet, launch, and pray. This client treated the brand as the cheapest, fastest instrument they had for asking one question: does anyone actually want this?

The brand ships before the product does

Here's the part that makes traditionalists wince: half the time the product wasn't ready. Sometimes it barely existed. But the brand was live, the photos were shot, and the shop was open and quietly measuring interest. They sold the story first and manufactured the reality only once the story proved it had takers. If a brand caught fire, wonderful, now build it properly. If it went nowhere, kill it by Friday and spin up the next one. No ego, no eulogy. A brand that flopped wasn't a failure. It was a cheap, honest answer.

You don't need the product to test the market. You need the story, and a way to watch people react.

The math nobody runs

The classic move is to spend two months building one strong, considered brand, then launch it and hope. The other move is to spend one month spinning up twenty rough-but-real brands, then a second month measuring which one actually rocks. Same eight weeks, wildly different information at the end of them: one beautiful guess, versus twenty data points and a clear winner the market chose instead of the boardroom.

I'm not saying craft doesn't matter; it's most of what I do. But craft aimed at the wrong idea is just expensive decoration. When you genuinely don't know what people want, twenty cheap swings teach you more than one perfect one. The winner earns the full identity, the real budget, the careful build. The other nineteen were market research that happened to look like brands.

How to run it without drowning

Sixty brands a year sounds insane until you see the trick: it's a kit, not sixty projects. One flexible template for the shop, so a new store is a reskin, not a rebuild. One repeatable recipe for the photography. One naming system loose enough to wear many faces. One checkout, one fulfilment path, one analytics setup behind all of them. Each new brand is a costume over the same body, which is what drops the cost of a test from months and a budget to days and pocket money. You're not designing sixty brands; you're designing one machine that prints them, and letting the market pick its favourites.

The measuring matters as much as the making. Decide up front what "it works" means, a click-through rate, a pre-order count, a cost per add-to-cart, and then let the number, not your taste, make the call.

When it works, and the one rule I won't bend

This wins when you're early, uncertain, and selling something where perception drives the purchase: consumer products, direct-to-consumer, anything where the story and the buying experience carry the weight. It works less well when the product is genuinely hard to build, or when trust and depth matter more than a first impression. And the rule I never break: do not sell what you cannot make. Testing demand with a brand and a shop is fair game. Taking money for a product that will never ship is not. The moment a test finds a real buyer, you owe them a real thing.

the takeaway

When you don't yet know what the market wants, stop perfecting one brand and start testing many. Build a kit that launches a believable brand, photos and shop in days, put a handful in front of real buyers, and pour the full craft into the one that rocks. The product can follow the proof, and most people do it the other way around, then wonder why the launch was so quiet.